What happened on Friday
Blogger’s note: “Groovy” world-premiered at the New York Comic Con held Oct. 5-8, 2017, at Javits Center in Manhattan. I was on hand at the TwoMorrows booth on that Friday, Saturday and Sunday to scrawl my name on advance copies. Following are my memories of my first day at the con: Friday, Oct. 6, 2017.
By Mark Voger, author,
“Groovy: When Flower Power Bloomed in Pop Culture”
There I was at the train station, all set for my first of three days at the New York Comic Con. My shiny new enlargement of the “Groovy” cover on poster board was at my side.
Until it wasn’t.
An express train flew by at, I’d judge, 300 MPH.
The poster was there one millisecond, not there the next. The sound effect it would have made on a Jack Kirby page was “SCHLOOP!”
I watched the poster get sucked under the train by powerful centrifugal force. It was spinning at, I’d judge, 300 RPM. It seemed to evaporate into thin air. The only trace of it left behind on the tracks was Hippie Girl’s face. Well, most of it.
Anyways, I slogged to Javits, found my way to the exhibitors’ entrance, and hooked up with my new best friend for the next three days, Eric Nolen-Weathington of TwoMorrows Publishing.
Soon came the moment I was waiting for: I saw “Groovy” for the first time. The crops were perfect, the fonts all worked like a charm, and — something that was important to me — the endpapers were verrrry groovy.
The TwoMorrows booth was on a corner — a good thing — and next to the Jack Kirby Museum & Research Center booth manned by the funny and fun Rand Hoppe and Lisa Rigoux-Hoppe.
Comic Con was crazy! Too many people. Sometimes, it was downright claustrophobic. Seeing so many people in costume — you know, that thing they call “cosplay” — made me ponder how far comic book conventions have come. They used to be relatively modest affairs that were all about the comics and the artists. They’ve morphed into spectacles that I would call “character” or “media” conventions with a strong comic book component. I’m not ragging. I think it’s healthy and cool.
Plus, it’s hilarious seeing a fat Captain America walk by eating chicken fingers and French fries.
Speaking of folks who walked by Booth 1038: A guy who looked exactly like Ruben Blades walked right by our table. He even wore the same kind of hat. He was talking to the Kirby museum. When he walked back, I heard his voice, and I realized it was Ruben Blades. He clocked that I recognized him, and gave me a little “bro” nod. Rand told us Ruben had a Kirby original that he was going to allow the museum to scan. “He’s trusting you?” I asked. “Oh, no,” said Rand. “He said, ‘I will not be separated from the art.’”
Our booth was visited by “Batman” executive producer Michael E. Uslan … DC Comics publisher Dan DiDio … “The Simpsons” and Filmation animator Bill Ortiz … Yoe Books publisher Craig Yoe … and the current copyright holders of my childhood hero, Captain Action. (They gave me a sticker.)
Another visitor was Captain Zorikh, a character I remember from the Big Apple Con days. I was glad to see that Zorikh — self-described as “The People’s Entertainer” — was still living the dream. Still wearing the many-buttoned jacket, still doing the martial arts, still updating his manuscript for “Captain Marvel Culture,” his long-planned book that will prove how all of popular culture sprang forth from the superhero introduced by C.C. Beck and Bill Parker in 1940. This is a guy who will never hang it up. I salute you, Captain Zorikh.
Michael E. Uslan, bless him, checks out “Groovy” and “Monster Mash” simultaneously. Now, that’s product placement.
A reader named Alan (left) purchased “Groovy,” and asked me to take his photo to put on my website. Here you go, Alan, and thanks. At right, Captain America wields his shield.
I love this candid of Cornelius checking his phone and Uhura doing the Spock hand signal.
COSPLAY-PALOOZA! Check out New York Comic Con cosplayers HERE.